FAQs

Yes, absolutely. We can put together a package that includes both photography and film.

Moving images are very important nowadays and can truly help you stand out, quickly building trust and a sense of familiarity. Video is a really great way to show more of who you are and how you work. 

You might include:

• short video clips for social media,
• small, atmospheric moments for your website,
• or a 2–3 minute short film that demonstrates who you are, what you do, and the passion behind your work.

If you’re interested, you can send me an email, and we can discuss what kind of video would be most helpful for you and your business.

If your project requires any of the above elements I’m very happy to recommend or collaborate with specialists or your existing team.

Whether you need someone to take care of everything or just one part of the process, I bring over ten years of experience in documentary storytelling and charity work.

My turnaround time depends on the scale of the project, but I always make this clear before we begin so you know exactly what to expect. I’m very used to working to deadlines, especially when it comes to charity, organisational, or campaign work where timing really matters. If you have a specific deadline, whether that’s a campaign launch, press release, funding bid, or event,  just let me know. I’ll plan the workflow around your timeline, communicate openly throughout the process, and make sure you’re never left wondering where things are at.

Absolutely. I regularly travel for projects. Whether your organisation or projects are based in London, elsewhere in the UK, or further afield, I’m very used to working on-location and adapting to new environments. If travel or accommodation is needed, we’ll discuss those logistics clearly upfront so there are no surprises.

Creating a safe and comfortable environment is central to my approach. I spend time getting to know the people I’ll be photographing or filming, often meeting them beforehand on a recce. This allows me to see the project environment, build rapport, and establish trust so that everyone feels at ease before the camera even comes out. During the session, I communicate clearly and gently, explaining what’s happening and checking in regularly, so participants always know what to expect. I encourage collaboration, letting people feel involved in the process. I build a genuine and warm relationship with everyone involved.

Before I ever pick up the camera, I spend time getting to know you — your organisation, your mission, and the story you want your audience to feel connected to. This usually begins with an in-depth conversation where we explore your goals, the people you support, and the impact you hope the final film or photo series will make.

I review any materials you can share — reports, campaigns, brand guidelines, language you use with your community, previous films or photos. This helps me step into your world and ensures my work aligns with your mission and voice.

I’ll often do a recce (location visit). This gives me the chance to meet the team and, where appropriate, the people I’ll be photographing or filming. It helps build rapport and trust before filming day and gives me insight into how to approach the story sensitively and thoughtfully.

On the day itself, I come prepared with a plan but stay flexible. Real stories unfold naturally, and I adapt to what’s happening in the moment while keeping your core message front and centre.

Throughout the process, communication is open, collaborative, and transparent. I’ll share suggestions, shape ideas with you, and ensure we’re aligned on the narrative we’re telling.

My aim is always to create work that feels true to your mission, honours the voices and experiences of the people involved, and connects powerfully with the communities and supporters you want to reach.

Before filming or photographing, I take the time to understand the individual(s), their story and make sure everyone feels informed and empowered. That means clear communication, no surprises, and complete transparency about where the images or films will be used.

My aim is always to portray people as whole humans, not just their circumstances. I avoid stereotypes, pity narratives, or imagery that sensationalises struggle. Instead, I focus on authenticity, strength, and humanity.

Where appropriate, I also offer participants or partner organisations the opportunity to review selected photos or initial film cuts before anything is published. This helps ensure everyone feels safe, respected, and accurately represented.

My goal is always to tell stories with honesty, care, and respect. Stories that elevate rather than exploit. If you’re a charity or organisation working with vulnerable communities, you can trust that the wellbeing of the people we’re documenting will always come first.

I work on a wide range of charity projects, from documenting community initiatives, events, and campaign work to capturing personal stories, and working with the people who benefit from your services.

I guide you gently, naturally, and in a way that feels like a conversation rather than a photoshoot. We might move around, chat about things you love, take a deep breath together, or I’ll use a soft prompt like “lean in a little” or “look toward the light.”

The focus isn’t on performing, it’s on helping you feel like yourself.

I also love capturing moments where you’re doing your thing — your craft, journaling, yoga, or whatever shows your personality and is a part of you and your brand, so posing isn’t even required.

If you’ve been hesitating because you feel awkward or “not photogenic,” don’t worry. You just need to show up, and I’ll take care of the rest. Check out my full article: 4 Easy Posing Tips for Branding Photos

I completely understand, deciding what to wear is one of the most common questions I get!

The good news? There’s no single “right” answer. Think about what you normally wear to work or meet clients, what makes you feel confident, or what reflects your personality and brand. Solid colours or larger patterns usually work best on camera, and it’s helpful to keep your locations in mind when choosing your outfits.

Ultimately, the goal is for you to feel like you, so you can feel relaxed and confident, because that’s what really shines in your images.

For a full guide with more tips on colours, textures, and prep, and what to avoid, check out my article: What to Wear for Your Professional Headshots